You can read the article from Asian Geographic Issue-2-2013, which features many of my artworks from the project and has texts from both myself and Dr Alice Brown by buying yourself a copy or by accessing it on scribd
I have made 2 separate bodies of work for this show. Supported by a Wellcome Trust People Award for ‘Beautiful Science’
"Natural Killers" was made in collaboration with Dr Alice Brown
"Lensless Molecular" was made in collaboration with Dr Rhiannon Holmes White.
Beautiful Science is a collaboration between 12 Imperial College scientists with artists from many different disciplines, each working to the same brief, is their beauty in raw scientific data? Can it be Beautiful Science?
The archetypal scientist, rational, white-coated, methodical, is generally thought to work in non-creative linear ways, while the archetypal artist, emotional, impulsive and unconventional, holds the monopoly on what is ‘creative’. But both ways of working rely on creativity and method, and both produce visual outcomes that reveal something about human perception of the world.
Supported by Imperial College as well as by a Wellcome Trust People Award ‘Beautiful Science’ presents images and original data drawn from the research of Imperial College scientists alongside artists’ interpretation of this information.
By bringing these laboratory images into the gallery, the exhibition becomes an experiment that encourages visitors to consider whether science can, in fact, be considered in the same terms and context as art. ‘My research has always tended towards preparing high quality images that represent a scientific fact. I have always been interested in the aesthetics of the images produced’, says Dr Alice Brown, a post-doc at Imperial researching immunology.
The scientific data on display encompasses photography of worlds invisible to the naked eye and the graphs, charts and records that are part and parcel of scientific practice. The artworks range across media, encompassing film, photography, painting and design. The relationship between the raw data and artistic interpretation vary across a spectrum from literal and direct engagement to highly abstract, evocative works that bear only the echo of scientific inspiration. Biologist Martin Spitaler, who runs the light microscopy facility at Imperial, says of his participation, "I hope this initiative will manage to make science accessible to the world outside, through the pure beauty of its images, through a glimpse at these wonderful hidden worlds, through interaction with more familiar forms of art."
Jo Bradford’s work blends photography with painting and printmaking, using lensless media such as luminograms and photograms. Her work has been exhibited widely in the UK and US and she has been artist in residence at Plymouth College of Art and Design as well as benefitting from an Arts Council Creative Development grant. In 2011 one of Jo’s meteorite photographs was launched aboard the Space Shuttle Endeavour as part of ‘Flux Face in Space’ celebrating the space shuttle programme. Jo’s direct photographic method in her project ‘Lenseless Molecular’ stays close to the source, adding one layer of interaction between data and artwork.
The Space Shuttle Endeavour (STS-134) will launch at 1:56pm BST today, the 16 May 2011, carrying with her a digital copy of one of my meteorite photograms + a photo of me with my artwork.
Part of the "Fluxface in Space" exhibition, a commemorative project celebrating the Space Shuttle program as it is coming to an end with the launch of Atlantis. The exhibition is to be launched into orbit on the last Endeavour Space Shuttle mission, this final mission will include a rendezvous with the International Space Station.
The participating artists (from 26 nations) each created an original postcard sized work of art, in various media, interpreting the themes of Space Exploration & the Arts, the Shuttle Program, Outer Space and Astronomy.
The organisers are heralding this as an historic exhibition, as apparently this is the first international group art exhibition in space.
The exhibit is expected to travel around the surface of the world as well, while the digitised versions are touring space on board the Space Shuttle, the actual artworks will be exhibited in a touring exhibition here on earth. In October 2010 the touring show kicked off at the Kennedy Space Station in Florida where the Launch will occur, after that it's next stop was at the Fort Worth Art Center in Texas, then it went to the Museum of Contemporary Art, Chicago, it will continue to tour the world and is expected to be seen by many thousands in art centers, museums and other art gallery environments.
It is to be Endeavour's 25th and final mission. After returning to earth in 16 days time she will be retired to a Los Angeles museum. Endeavour will be carrying her most expensive payload ever - a $2billion particle physics experiment known as the Alpha Magnetic Spectrometer (AMS) designed to probe the unknown reaches of space and help us understand the secrets of the universe.
It will test the long-standing Big Bang theory - by checking for any large quantities of anti-matter - which theorists suspect was created when the universe was born, and will also be used to examine the nature of dark matter, the material that makes up most of the universe.
The Cliché Verre in The Digital Age exhibition Opens today in San Francisco.
5 of my Cliché Verre prints are in the group show at the Jenkins Johnson Gallery on Sutter Street in San Francisco.
Other artists in the show are Abelardo Morell, Peter Feldstein, Courtney Johnson, Maggie Foskett, Suzanne Izzo, Fredrik Marsh, Fred Parker, Frank Rossi, David Symons, and Käthe Wenzel.
Cut and paste this link to see the Press Release PDF
The show runs April 7–May 3, 2011
Opening Reception: Thursday, April 7, 5:30 – 7:30pm
Jenkins Johnson Gallery
464 Sutter Street,
This exhibition showcases the revival in alternative process photography. In recent years contemporary photographers have been taking a fresh look at early printing processes‚ from cyanotypes to daguerreotypes, these deep, dreamy images bring a unique style and surface to a photograph that can not be achieved digitally.
As the juror for this show, Laura Moya tells us, “I am delighted with the recent groundswell of photographers rediscovering historic and alternative processes. There is still an inherent need for some artists to use photography to explore the unexplained in life. The processes in this exhibit lend themselves to the exploration of memory, loss, and the unspoken. It hints at traces—of people, of objects, of ideas. Perhaps unknowingly, poetry becomes part of the image.
These new images explore the notion that the time spent ‘crafting’ a photograph versus ‘taking’ a photograph gives the photographer space for thought. If one is working with heavy lenses, glass plates, or a multitude of chemicals, time slows down. If one is considering how air temperature might affect one’s film, time really slows down. It is the complexity of these processes that bring gifts to the table.”
This exploration of Fluxus activity includes contemporary re-interpretations of classic Fluxus scores and actions; new Fluxus performances by Fluxus artists. Performers include the Chicago Fluxus Ensemble and invited Fluxus artists.