Four of my meteorite photograms will be exhibited as part of the Photogram Open Show at the Bristol Festival Of Photography in association with St Paul's Darkroom. The venue will be Bristol Central Library on College Green and the show will run throughout May 2014.
Private View: Saturday 22 February 2014 2-4pm
Urmson-Burnett Gallery announced the first international exhibition for the finest contemporary photogram makers in August 2013. Jo's work was selected for exhibition in this exciting new group show including artists from all over the world.
The Photocopy Club are an innovative exhibitions project based in
Brighton, London and Hong Kong. TPC most recently exhibited in the Jerwood
Space, London and exhibit works made entirely with photocopiers, with the
aim of making photography and printed work more accessible to the public.
My work "Deep Sky Objects II" from my Photogram Series "Constructing Space" is included in this show, 30 artists were chosen to exhibit from over 300 submissions. The show will showcase the Photogram as an artform and there are many different types and processes included in the show. The show moves to Silverprint in London to be shown there from the 18th February to the 15th March 2014.
This exhibition showcases the revival in alternative process photography. In recent years contemporary photographers have been taking a fresh look at early printing processes‚ from cyanotypes to daguerreotypes, these deep, dreamy images bring a unique style and surface to a photograph that can not be achieved digitally.
As the juror for this show, Laura Moya tells us, “I am delighted with the recent groundswell of photographers rediscovering historic and alternative processes. There is still an inherent need for some artists to use photography to explore the unexplained in life. The processes in this exhibit lend themselves to the exploration of memory, loss, and the unspoken. It hints at traces—of people, of objects, of ideas. Perhaps unknowingly, poetry becomes part of the image.
These new images explore the notion that the time spent ‘crafting’ a photograph versus ‘taking’ a photograph gives the photographer space for thought. If one is working with heavy lenses, glass plates, or a multitude of chemicals, time slows down. If one is considering how air temperature might affect one’s film, time really slows down. It is the complexity of these processes that bring gifts to the table.”